K. Sparks is a rap artist, music producer & lyricist all in one. “[He] truly embodies the term “Real Hip Hop”. With his passionate tone and sincere lyrics, it is very clear that he is destined to be one of Hip Hop’s future stars.”
During Art Bruts show in Toronto in late 2005, frontman Eddie Argos demanded that each and every member of the audience form a band by the time they returned. Instruments were scraped together, and The Craft Economy had their first practice the next weekend.
The Toronto based band whose members originally hail from Guelph, Montreal, Vancouver and PEI has a sound inspired by '70s punk rock and '80s new wave, and is guided by a love of tight, well-crafted and danceable pop songs.
MAGNETIZE was the debut record of electronic music group Misfilter.
From Magnetize’s Jamendo Page:
What would become their trademark (weaving a musical tapestry of various electronic music genres) quickly comes evident as the trip-hop and dub influenced “Intro” leads into the frantic jungle rhythms of “Sunshine From The Rain”. Later on in the album the pace slows down with the digital pop-ballad “Lovely”.
I couldn’t find much information about this hard-core metal band from Helsingborg, Sweden, but from one of their reviews on LastFm (one of the very few in English ), I learned that they’ve recently went through a lead vocalist change and they sound even better then before!
Born in France, raised between Harlem NYC and Dakar, Senegal, living in Atlanta, Georgia, SagaBoy is a producer/songwriter turned hip-hop artist. He is about to release his newest album – Evolution – “Past, Present, Future” and is offering the fist CD, Evolution – “Past” free, under the Creative Commons license through FrostWire.
The Slip is the seventh album by American industrial rock act Nine Inch Nails. The album was released free of cost on May 5, 2008 via digital download on the official Nine Inch Nails website. The album was produced by Trent Reznor alongside Atticus Ross and Alan Moulder. The album features vocals and traditional song structures, unlike its 2008 instrumental predecessor Ghosts I–IV.